Moonglow - SwingSoniq
Independent 1998, 11 tracks
SwingSoniq is a surprise. With the swing revival has come a plethora
of groups aping the music of the Thirties through Fifties. Whether
old-time jazz, big-band swing, or early bluesy rock and roll, the
music swings but it's often very mechanical. It's the difference between
hearing a note for note cover of a song and hearing a new interpretation
of the same song. SwingSonic doesn't simply repeat but reincarnates
the old music. If today's swing revival is making a big noise, then
this is a Soniq boom.
There's
a groove to the songs on this release that suggests these guys are
playing the music not because it's the popular trend but because they
truly enjoy playing it. The music has an organic feel to it, a comfortable
feel that lets the listener just slip into it like an old bathrobe
and relax. It's quiet music ideal for a romantic evening of candlelight
and wine, yet it's also bright and danceable.
Greg
Leskiw, the singer, is a joy to hear. Without sounding at all like
he is deliberately aping the great Satchmo, Leskiw's raw vocals bring
back the sound and spirit of that jazz great. An impressionable listener
might begin to feel that Louis Armstrong had been reborn on the banks
of Winnipeg's Red River. It's not just the raw edginess of Leskiw's
voice either. Leskiw manages to get across that feeling that maybe
behind the words the singer is enjoying a private joke. He sings with
a quiet smile that tells the listener he's having fun performing this
music.
Daniel
Koulack has some nice licks on the bass that at times carry the music
forward with drive and at other times just lay a soft bed for the
two guitars to lay down in as Leskiw's vocals caresses them all. The
arrangements are ideal for this music, a tasteful blend of guitar
and bass that doesn't ever overwhelm the vocals.
There's a lot to be said for the production values on this release.
I often hear an emptiness in digital productions. No matter how much
is going on in the music, there is a sense that the music is being
played in a vacuum, out of context, outside time and space. It's just
too clean. Moonglow is as clean as any digital production I've heard,
yet it has a fullness, a sense of room that gives it that live feel
so necessary to acoustic music like this. Producer Norm Lussier is
to be commended.
It's
also worth noting the authentic look and feel of the several songs
written by Greg Leskiw for this release. Without reading the credits,
a listener would have a hard time telling the old songs from the new.
Usually,
I can select one or two songs from a release that especially impress
[or not]. Moonglow is an exception. This release is so uniformly performed
and produced that to choose one song as exceptional would do a disservice
to the others. This is a release that deserves a place in any collection
of contemporary Canadian jazz.
(R.
D. MacKenzie Associates, Kingston, Ontario K7K 6T9)
copyright © 2000 R. D. MacKenzie
Review written: August 22, 2000
CONTACT:
SwingSoniq
PO Box 87,
Winnipeg Manitoba R3V 1L5
(204) 261-5283
Email
Greg: Click here